Untitled Abstract Composition

Mixed media on paper/board, professionally matted and framedJay Canterbury

Untitled Abstract Composition

Style & Movement

Contemporary Abstract Expressionism / Assemblage Art

Medium & Technique

Mixed media including enamel or acrylic paints, heavy impasto, drip techniques, and three-dimensional assemblages including metallic spherical tack-like elements or rivets and potentially found organic materials.

Creation Period

2015 (as inscribed next to the signature)

Dimensions & Format

Approximately 12 x 18 inches (visual area), vertical portrait orientation.

Subject Description

A non-objective composition focusing on texture, depth, and the interplay between industrial and organic aesthetics. The work features a neutral grey background punctuated by earth tones, teal splashes, and dark central masses. Rounded metallic protrusions create a rhythmic, grid-like secondary structure across the tactile surface.

Condition & Value Assessment

Condition Assessment

Good/Very Good. The primary concern is the reflection and potential contact of the heavy impasto/assemblage pieces with the glazing, which may indicate a lack of sufficient spacing in the framing.

Estimated Market Value

$500 - $1,200

Auction Estimate

$300 - $600

Provenance History

Acquired likely from a contemporary gallery or the artist directly; signed 'Jay Canterbury 2015' on the lower right of the matting/support.

Art Historical Significance

Represents the 21st-century continuation of the 'Art Informel' and 'Matter Painting' traditions, where the physical substance of the medium becomes the primary subject. In the context of the artist's oeuvre, it showcases an interest in industrial-organic synthesis.

Notable Features

Distinctive use of metallic rivets/spheres which transform a 2D painting into a 3D wall sculpture. Signed and dated in graphite on the lower right border: 'Jay Canterbury 2015'.

Condition Issues

Visible surface irregularities which are intentional to the work's aesthetic; however, some dust accumulation may be present behind the glass. Note: The photograph shows a strong lamp reflection, which is an environmental factor, not a condition issue of the art itself.

Conservation Recommendations

Recommend reframing with a deep shadowbox or spacers to ensure the high-relief elements do not touch the glass. Use UV-protective glazing to prevent pigment fading.

Identified on 4/22/2026