Adeline Ravoux
Painting on canvas • Vincent van Gogh
Style & Movement
Post-Impressionism
Medium & Technique
Oil on canvas, utilizing heavy impasto, rhythmic brushstrokes, and a color palette dominated by blues and yellows typical of the artist's late style.
Creation Period
June 1890
Dimensions & Format
Approximately 50 cm x 52.5 cm; Portrait format (nearly square).
Subject Description
A portrait of Adeline Ravoux, the daughter of the innkeeper at the Auberge Ravoux in Auvers-sur-Oise. The subject is depicted in profile against a dark, floral background. The composition emphasizes her youthful features through vigorous, directional strokes and a monochromatic blue garment that contrasts with the golden-yellow tones of her hair and face.
Condition & Value Assessment
Condition Assessment
Good/Very Good. The paint layer appears stable with a pronounced texture; however, traditional aging like craquelure and slight yellowing of varnish may be present.
Estimated Market Value
$40,000,000 - $60,000,000
Auction Estimate
$35,000,000 - $55,000,000
Provenance History
Formerly in the collection of Dr. Paul Gachet, then various private collections. Currently held in a private collection (this specific version is one of three painted by the artist).
Art Historical Significance
One of the final portraits painted by Van Gogh before his death in July 1890. It represents his mastery of expressive color and line during his most prolific period in Auvers-sur-Oise, capturing the psychological presence of his subjects through stylistic abstraction.
Notable Features
The work features the 'broken color' technique and highly energetic, swirling brushwork. The contrast between the dark, indigo-toned background and the pale, luminous face is a hallmark of Van Gogh's late decorative style.
Condition Issues
Visible surface cracking (craquelure) consistent with age and heavy impasto; potential dust accumulation in the deep textures of the paint ridges.
Conservation Recommendations
Maintain in a climate-controlled environment with stable humidity to prevent further pigment cracking. Lighting should be UV-filtered and low intensity to prevent color fading.