The Incredulity of Saint Thomas (after Caravaggio)
Contemporary Painting, Canvas Support • Attributed to a contemporary artist working in the style of conceptual post-modernism (reminiscent of artists like Eduardo Kobra or Nina Chanel Abney in its graphic nature)
Style & Movement
Contemporary Post-Modernism, Pop-Cubism, Neo-Geometric Abstraction
Medium & Technique
Acrylic or Oil on canvas with flat color blocking and geometric abstraction
Creation Period
21st Century (c. 2010-2020)
Dimensions & Format
Large Scale Landscape Format (Estimated 48 x 60 inches)
Subject Description
A modernized reinterpretation of Caravaggio's 'The Incredulity of Saint Thomas'. The figure on the left (Christ) pulls aside a white dress shirt to reveal a fiery, gestural wound, while the figure on the right (Thomas) in a grey suit jacket reaches out to touch it. The figures feature faceted, colorful geometric faces and hands.
Condition & Value Assessment
Condition Assessment
Excellent; appearance suggests a recent work with no visible signs of aging, craquelure, or fading
Estimated Market Value
$5,000 - $15,000 (depending on specific artist identity)
Auction Estimate
$3,000 - $10,000
Provenance History
Likely private collection or contemporary gallery inventory; no visible stamps or labels in the image
Art Historical Significance
Reflects the contemporary trend of 're-mastering' classical religious iconography into secular, urban, or digital-age visual languages. It bridges the gap between Baroque chiaroscuro narratives and modern identity politics through color theory and flat composition.
Notable Features
The contrast between the flat, graphic color blocking of the clothing and the expressive, painterly 'wound' area is a primary focal point. The use of a fedora and necktie modernizes the biblical narrative.
Condition Issues
None visible; surface appears consistent and monochromatic background shows no scuffing or planarity issues
Conservation Recommendations
Maintain in a climate-controlled environment (50% RH) with UV-filtered lighting to prevent pigment fading of the vibrant geometric sections.