Study of a Young Boy's Head in Profile
Drawing on paper laid down on board • Manner of Jean-Baptiste Greuze or French School, 18th/19th century

Style & Movement
Neoclassicism with Rococo academic influence
Medium & Technique
Red chalk (sanguine) on paper; employing cross-hatching, stumping for soft shadows, and rhythmic calligraphic lines in the hair
Creation Period
Late 18th to mid-19th Century
Dimensions & Format
Approximately 40 x 30 cm; portrait format
Subject Description
A character study (tête d'expression) of a young boy facing right in profile. The boy features curly, tousled hair and a soft, youthful facial structure. The expression is pensive, characteristic of the sentimentalist aesthetic popular in French academic drawings of the late Ancien Régime.
Condition & Value Assessment
Condition Assessment
Fair; visible evidence of age-related wear, toning, and potential moisture damage
Estimated Market Value
$400 - $1,200 (if considered an academic study/follower); significantly more if re-attributed
Auction Estimate
$300 - $800
Provenance History
Unknown; absence of visible collector marks or stamps suggest a private domestic history or 20th-century decorative acquisition
Art Historical Significance
The piece reflects the rigorous training of the French Academy, where red chalk studies of 'expression' were foundational. It mimics the style of masters like Greuze or Boucher, who popularized the 'innocent youth' trope in European art.
Notable Features
The distinctive 'S' curves in the hair show a confident hand; the use of toothy paper helps hold the sanguine pigment, creating a rich texture typical of traditional French chalk drawings.
Condition Issues
Significant foxing (small brown spots) visible across the paper surface; overall yellowing/toning of the paper; possible cockling and flattening due to being pressed against glass; light staining near the lower left edge.
Conservation Recommendations
Professional de-acidification and cleaning by a paper conservator; remounting with acid-free archival mats; replacement of current glass with UV-filtering museum glass to prevent further fading of the red pigment.