Untitled (Abstract Composition)

Original print, Artist's Proof (marked 'A.P.') on heavy paperIndistinguishable signature in lower right corner; style is indicative of a contemporary abstract expressionist printmaker.

Untitled (Abstract Composition)

Style & Movement

Abstract Expressionism / Lyrical Abstraction

Medium & Technique

Likely a monotype or lithograph with hand-coloring; features layered application of inks, splattered highlights, and scribbled linear gestures.

Creation Period

Late 20th to early 21st century (circa 1980-2010)

Dimensions & Format

Landscape format; approximately 18 x 24 inches for the plate/image area, housed in a larger frame of roughly 24 x 30 inches.

Subject Description

A non-representational composition focused on the interaction of vibrant primary and secondary colors. The piece uses gestural sweeps of blue and purple, contrasted with frantic orange and yellow linear markings and green fields. There is an organic, almost biological sense of movement energy.

Condition & Value Assessment

Condition Assessment

Good to Very Good. The paper appears flat within the matting; however, some slight undulation is visible near the top edge suggesting organic material response to humidity.

Estimated Market Value

$400 - $1,200 (valuation heavily dependent on the definitive identification of the signature)

Auction Estimate

$300 - $700

Provenance History

Marked 'A.P.' which denotes an Artist's Proof, typically reserved for the artist or given as gifts, suggesting private collection origin.

Art Historical Significance

Represents the late-century trend of utilizing printmaking as a medium for spontaneous, painterly expression rather than just mechanical reproduction. It echoes the 'action painting' ethos within a controlled graphic format.

Notable Features

Clearly designated 'A.P.' in the lower-left margin. The work features heavy ink saturation and 'drip' textures that bridges the gap between a multiple and a unique painting.

Condition Issues

Visible reflection indicates regular glass (not UV-protected), which may lead to pigment fading over time. Minor cockling of the paper support due to mounting or environmental fluctuations.

Conservation Recommendations

Re-glazing with museum-grade UV-filter glass or acrylic is recommended to prevent light damage to the bright pigments. Ensure the use of acid-free matting.

Identified on 7/4/2026