The Marriage of the Duke of York and Princess Mary of Teck

Framed commercial print (reproduction) on paperAfter Laurits Tuxen (original painting); reproduction produced by a commercial publisher (potentially Goupil & Cie or similar).

The Marriage of the Duke of York and Princess Mary of Teck

Style & Movement

Victorian Academic Realism / Royal Portraiture

Medium & Technique

Lithography or photogravure reproduction of an original oil painting; features a mechanical dot or grain pattern consistent with early-to-mid 20th-century mass printing.

Creation Period

Original painting 1893; this printed reproduction likely dates to the late Victorian or early 20th century (c. 1900-1920).

Dimensions & Format

Estimated 24 x 36 inches (approx. 60 x 90 cm); horizontal landscape format.

Subject Description

A commemorative scene of the royal wedding of the future King George V and Queen Mary on July 6, 1893. The composition features Queen Victoria seated at the far left, with various European royals and dignitaries gathered in the Chapel Royal, St. James's Palace. It serves as a visual record of dynastic power and Victorian court life.

Condition & Value Assessment

Condition Assessment

Fair to Good. Visible fading (loss of vibrancy in reds and flesh tones) and typical paper discoloration due to age and likely non-archival framing.

Estimated Market Value

$50 - $150 USD (decorative value as a vintage print).

Auction Estimate

$30 - $100 USD.

Provenance History

Unknown; likely a mass-marketed commemorative print sold to the British public or colonies as a souvenir of the royal wedding. No visible gallery or collection labels present in image.

Art Historical Significance

The original Tuxen painting is a significant historical document and is part of the Royal Collection. This print reflects the 19th-century trend of 'Royal Commemoratives,' where high art was reproduced for the middle class to foster national identity and loyalty to the Crown.

Notable Features

Depicts a vast array of historical figures including Tsar Nicholas II and the future King Edward VII. The gold-toned thin frame is typical of mid-20th-century residential framing.

Condition Issues

Color shifting towards yellow/brown (oxidation), minor rippling of the paper, and UV-induced fading. Some surface dust is visible under the glass.

Conservation Recommendations

Keep out of direct sunlight to prevent further fading. If the item has high sentimental value, consider re-framing with UV-protective glass and acid-free matting.

Identified on 3/20/2026