Autumn Landscape (likely from a Provençal or Mediterranean series)
Limited edition print (Lithograph or Serigraph) on heavy paper • Likely Nicola Simbari (Italian, 1927–2012) or a contemporary follower such as Pierre Bittar or Howard Behrens, based on the vibrant palette and signature style.
Style & Movement
Contemporary Impressionism / Modern Fauvism, characterized by a 'Spinto' palette—bold, high-key colors used to evoke light and mood.
Medium & Technique
Color lithography or serigraphy (silkscreen), characterized by layered vibrant pigments and flat planes of color, reminiscent of gouache painting techniques.
Creation Period
Late 20th Century to Early 21st Century (circa 1990-2010)
Dimensions & Format
Approximately 18 x 24 inches (image size); horizontal landscape orientation.
Subject Description
An expressive landscape featuring a cluster of white-walled cottages or 'mas' nestled among dark green trees under a dramatic, fiery red and orange sky. A sun-drenched yellow field occupies the foreground, utilizing gestural, blocky strokes to suggest light and movement.
Condition & Value Assessment
Condition Assessment
Very Good; the colors appear vibrant with no immediate signs of fading (light-fastness is well-maintained). Paper appears flat without undulation.
Estimated Market Value
$300 - $700 USD
Auction Estimate
$150 - $400 USD
Provenance History
Numbered in pencil lower left (possibly 108/300) and signed in pencil lower right. Likely acquired through a commercial gallery or art cruise line, typical for this style of contemporary editioned print.
Art Historical Significance
Representational of the late-century trend in European 'Resort Art' which popularized coastal and rural European landscapes through high-quality printmaking. It sits within the tradition of Mediterranean painters who prioritized emotional color over naturalistic representation.
Notable Features
Hand-signed and numbered in graphite, which distinguishes it from a mass-produced offset poster. The 'broken' color technique in the foreground provides a sense of texture even in a flat print medium.
Condition Issues
Possible minor toning of the paper edges visible under the mat. No visible foxing or acid damage, though the reflection in the glass prevents a definitive check for 'sunning' or acid burn from the matting.
Conservation Recommendations
Ensure the artwork is mounted using acid-free, archival materials and protected by UV-filtering glass to prevent the fugitive red and orange pigments from fading. Avoid hanging in direct sunlight.