Chevaux II (Horses II)
Limited edition color lithograph or serigraph on heavy wove paper • Guillaume Azoulay (born 1949)
Style & Movement
Contemporary Linearism; Post-Modern Pop-Surrealism
Medium & Technique
Lithography/Serigraphy involving flat color planes (orange, grey, off-white) overlaid with intricate black linear cross-hatching and topographic-style contour line work.
Creation Period
Circa late 1970s to early 1980s
Dimensions & Format
Approximately 30 x 40 inches (image); landscape format
Subject Description
Three stylized horses in motion, depicted through characteristic curvilinear and energetic line work. The composition focuses on the power and fluid movement of the animals, using a split-background of vibrant orange and dark grey to create a sense of horizon or sunrise/sunset.
Condition & Value Assessment
Condition Assessment
Good to Very Good; visible reflection on glass suggests it is framed under glazing, which has protected the ink, though some minor paper waviness (cockling) may be present.
Estimated Market Value
$600 - $1,200 (based on retail gallery prices for signed/numbered editions)
Auction Estimate
$200 - $500
Provenance History
Likely acquired via a commercial gallery or high-end cruise ship art auction (e.g., Park West Gallery), where Azoulay has been a frequently featured artist since the late 20th century. Signed and numbered in pencil.
Art Historical Significance
Azoulay is the youngest artist to have his work accepted into the permanent collection of the Cabinet des Estampes of the Bibliothèque Nationale in Paris. This piece is representative of his 'Linear' style which gained significant international popularity in the 1980s.
Notable Features
Features the artist's distinctive 'Topographic' line technique where the volume of the horses is created solely through the density and curvature of hand-drawn lines. Signed 'Guillaume Azoulay' in the lower right margin.
Condition Issues
Possible light-induced fading if displayed in direct sunlight; minor cockling of the paper due to humidity or tight framing; potential acid burn from non-archival matting if original.
Conservation Recommendations
Check for acid-free matting; ensure UV-protective glass is used; keep out of direct sunlight to prevent fading of the orange pigments.