The Vision of the Valley of Dry Bones (from The Vision of Purgatory by Dante Alighieri)

Print, wood engraving on paperGustave Doré (Original artist); H. Pisan (Frequent engraver collaboration)

The Vision of the Valley of Dry Bones (from The Vision of Purgatory by Dante Alighieri)

Style & Movement

Romanticism / Symbolism with Gothic influences

Medium & Technique

Wood engraving; a relief printing technique using a fine-grained wood block cut on the end grain, permitting high levels of detail and dramatic tonal contrasts through fine cross-hatching and stippling.

Creation Period

Circa 1860s (originally created for the 1861 illustrated edition of Dante's Divine Comedy)

Dimensions & Format

Approximately 12 x 9 inches (plate size), vertical portrait format, mounted in a modern blue mat.

Subject Description

A dramatic scene depicting muscular, mythological, or biblical figures amidst a dark, cavernous setting. A concentrated beam of light strikes a central reclining figure, illustrating themes of resurrection, revelation, or divine intervention within a dark landscape.

Condition & Value Assessment

Condition Assessment

Good to Fair. The print appears intact, but there is visible light foxing and yellowing of the paper indicative of age and past exposure to acidity.

Estimated Market Value

$100 - $250 USD

Auction Estimate

$50 - $150 USD

Provenance History

Likely extracted from a 19th-century luxury folio edition of 'The Divine Comedy' (Purgatory). Common in private collections and print dealer inventories from the mid-20th century onward.

Art Historical Significance

Gustave Doré was the most successful illustrator of the 19th century. His Dante illustrations redefined visual interpretations of the 'Divine Comedy' for the modern era, influencing film, contemporary art, and graphic novels.

Notable Features

Exacting linework typical of Doré's Purgatorio series; signature dramatic 'chiaroscuro' lighting effects achieved through extremely dense engraving patterns.

Condition Issues

Visible foxing (brown spots), minor toning/browning of the paper, and slight waviness in the paper support. Possible acidic staining from the current mounting board.

Conservation Recommendations

Remove from current acidic blue mat board. Remount using acid-free, museum-grade materials. Frame behind UV-protective glass and keep out of direct sunlight to prevent further yellowing.

Identified on 3/22/2026