Turtle (from the 'Turtle' series)
Limited Edition Print on Paper • Don Yeomans (Haida, Canadian, born 1958). The signature on the lower right and distinctive graphic style are indicative of his early-to-mid career output.
Style & Movement
Contemporary Northwest Coast Art / Haida School. Represents a fusion of traditional Formline design with late 20th-century Modernist Minimalism.
Medium & Technique
Serigraph (Screenprint). Characterized by flat, precise color application with distinct geometric layering and fine-line detail.
Creation Period
Late 20th Century (Circa 1970s-1980s)
Dimensions & Format
Approximately 24 x 18 inches (framed); vertical portrait format.
Subject Description
A stylized turtle situated atop a vertical geometric mass. The turtle's flippers and shell utilize traditional Northwest Coast ovoid and u-shape motifs but are executed with contemporary symmetry. The composition uses cool blue and grey tones, conveying a sense of balance and coastal atmospheric light.
Condition & Value Assessment
Condition Assessment
Very Good. The print appears well-preserved within its frame with no visible foxing, humidity damage, or significant pigment fading.
Estimated Market Value
$400 - $800 USD
Auction Estimate
$300 - $600 USD
Provenance History
Likely acquired through a gallery specializing in Indigenous Canadian art or a museum shop. Pencil notations indicating edition number (lower left) and signature (lower right) are present.
Art Historical Significance
Don Yeomans is one of the most respected contemporary Haida artists. This work illustrates the evolution of Northwest Coast art from functional/ceremonial objects into the realm of fine art printmaking, influenced by mentors like Bill Reid and Robert Davidson.
Notable Features
Numbered in pencil as part of a limited edition. The use of a cool, monochromatic palette is a sophisticated departure from the traditional red-and-black Haida color scheme, showing the artist's modernist influence.
Condition Issues
Possible light acidic mat burn along the edges of the paper (typical of period framing). Minor reflections from non-UV protected glass suggest possible future light-strike risk if hung in direct sunlight.
Conservation Recommendations
Recommend reframing with acid-free, archival-quality matting and Museum Glass (UV protection) to prevent long-term paper degradation and pigment fading.