Train Landscape (or The Uffington White Horse through a Train Window)
Reproduction print (likely a lithograph or high-quality offset print) on paper • Eric Ravilious (British, 1903–1942)
Style & Movement
Modern British; Neo-Romanticism with elements of British Wood Engraving aesthetic
Medium & Technique
Print reproduction of an original watercolor and resist painting; techniques in original including fine stippling and textured wash layers
Creation Period
Original created in 1940; this specific print is likely a mid-to-late 20th-century reproduction
Dimensions & Format
Approximately 40 x 50 cm including margins (Landscape format)
Subject Description
The view from a third-class railway carriage looking out onto the Berkshire Downs. Visible through the window is the Uffington White Horse, a prehistoric hill figure. The composition captures the quiet, geometric structure of the train interior contrasted with the ancient landscape.
Condition & Value Assessment
Condition Assessment
Good/Fair. The print shows evidence of light-induced fading (toning) and the colors appear slightly muted compared to a fresh impression. It is framed with a standard non-archival mat.
Estimated Market Value
$50 – $150 USD
Auction Estimate
$30 – $100 USD
Provenance History
Unknown; likely purchased as a museum or gallery reproduction for home decor. These prints were popularized by institutions like the Tate and various British heritage societies.
Art Historical Significance
Eric Ravilious was a seminal figure in mid-century British art, known for his unique interpretation of the English landscape and his work as a War Artist. This specific image is one of his most iconic, representing the junction of modern travel and ancient history.
Notable Features
Includes the distinctive '3' signifying third class and the coach number '990'. The framing of the landscape by the train windows is a classic Ravilious compositional device.
Condition Issues
Visible yellowing of the paper (foxing potential if behind non-UV glass), slight chromatic shift due to light exposure, and potential acid burn from the mounting board.
Conservation Recommendations
Re-frame using acid-free, archival-quality matting and UV-protective glazing to prevent further fading. Keep away from direct sunlight and high-humidity areas.
Collector Notes
Print of original. Unknown to me artist.