The Sphinxes (at the Peterhof Palace)
Original painting on paper, landscape format • Attributed to or School of Alexandre Benois; alternatively a member of the 'Mir Iskusstva' (World of Art) movement.

Style & Movement
Russian Neoclassicism / World of Art (Mir Iskusstva); Impressionistic architectural study.
Medium & Technique
Watercolor and gouache on paper; employs a broad wash technique with visible brushwork and architectural under-drawing.
Creation Period
Late 19th to Early 20th Century (circa 1890-1910)
Dimensions & Format
Approximately 30 x 40 cm (sight size); horizontal landscape format in a gilded frame with wide matting.
Subject Description
A study of the marble sphinx statues located on the grounds of the Peterhof Palace complex in Russia. The composition focuses on the interplay of light and shadow across the stone figures and the paved courtyard, with architectural columns suggested in the background.
Condition & Value Assessment
Condition Assessment
Very Good; the colors appear vibrant with minimal fading, and the paper support shows no immediate signs of foxing or warping under the glaze.
Estimated Market Value
$5,000 - $8,500 USD
Auction Estimate
$4,000 - $6,000 USD
Provenance History
Likely sourced from a private collection of Russian or European art; the framing suggests late 20th-century professional presentation for a gallery or residence.
Art Historical Significance
Significant as a document of the Russian 'Silver Age' aesthetic, reflecting the period's obsession with the nostalgic reconstruction of imperial architectural grandeur and Western European influences.
Notable Features
Distinctive use of 'reserve' (unpainted white paper) to represent high sunlight; the fluid, confident brushwork indicates a trained theatrical or architectural artist.
Condition Issues
Slight yellowing of the paper consistent with age; possible minor pigment oxidation in the darker brown washes; reflections on the glass obscure full detail of the surface texture.
Conservation Recommendations
Ensure the use of UV-filtering museum glass; maintain a stable environment with 50% humidity to prevent paper brittleness; keep away from direct sunlight to preserve watercolor fugitive pigments.