Seated Figures (Abstract Study)
Original drawing and painting on heavy-weave watercolor paper. • Mark Tobey (American, 1890–1976), or a very close follower. The signature 'Tobey' in the lower right is consistent with his later-period shorthand scripts.
Style & Movement
Abstract Expressionism / Northwest School. The style blends Eastern calligraphic influences with Western abstraction.
Medium & Technique
Mixed media including watercolor, ink wash, and graphite. The technique utilizes wet-on-dry washes and loose, gestural line work to define form within abstraction.
Creation Period
Mid to late 20th Century (Circa 1960-1980).
Dimensions & Format
Approximately 8 x 12 inches; vertical portrait orientation within a nested window mat.
Subject Description
The composition features three abstract human figures in various states of repose. The central figure appears seated, facing away or downward, rendered with earth tones and a pale blue wash. Sparse, kinetic graphite lines provide skeletal structure to the fluid color fields.
Condition & Value Assessment
Condition Assessment
Very Good. The paper remains bright with strong pigment saturation. There is no visible evidence of foxing or significant acid burn from the matting.
Estimated Market Value
$5,000 – $12,000 USD (assuming authentication of signature).
Auction Estimate
$4,000 – $7,000 USD.
Provenance History
Unknown; lacks visible gallery or exhibition labels on the front. Likely acquired via private collection or regional auction in the Pacific Northwest.
Art Historical Significance
If authentic, this represents Tobey’s bridge between figuration and his famous 'white writing.' It showcases his ability to use void and space (Ma) to create a sense of meditative stillness common in the Northwest School.
Notable Features
Distinctive gestural signature in the lower right; the paper features a deckled or hand-torn appearance on the left edge, suggesting it was part of a larger sheet or sketchbook.
Condition Issues
Minor edge rippling (cockling) consistent with watercolor application on paper. Potential light fading of the blue pigment if previously displayed in UV-rich environments.
Conservation Recommendations
Ensure the piece is mounted using acid-free, reversible archival hinges. Glazing should be replaced with Museum Glass (UV-filtering) to prevent further pigment degradation.