White Buffalo on the Ridge
Original painting on paper or board, likely matted and framed under glass • W. T. Zivie (based on owner information; artist likely an illustrator or practitioner of Western/Wildlife art)
Style & Movement
Contemporary Western Realism / Native American Wildlife Art
Medium & Technique
Gouache or acrylic on paper/board; utilizes scumbling for the white fur texture and highlights, with dry-brushing on the foreground rocks and grass.
Creation Period
Late 20th century to early 21st century (circa 1980–2010)
Dimensions & Format
Landscape format; estimated image size 11x14 or 16x20 inches, framed to a larger overall size.
Subject Description
A prominent white American bison (buffalo) stands on a grassy, rocky ridge under a dark, storm-filled sky. In the background, smaller silhouettes of a regular buffalo herd are visible. The white buffalo is a sacred symbol in many Native American cultures, representing abundance, manifestation, and prophecy.
Condition & Value Assessment
Condition Assessment
Very Good; the colors appear vibrant and there is no obvious fading or mechanical damage to the visible portion of the artwork.
Estimated Market Value
$300 - $700
Auction Estimate
$200 - $500
Provenance History
Likely acquired via a regional gallery, western art show, or directly from the artist. Private collection status.
Art Historical Significance
The piece belongs to the tradition of Western and Wildlife art, focusing on iconic North American megafauna. It holds cultural significance due to the rare 'White Buffalo' subject matter, which carries deep spiritual meaning in Plains Indian lore.
Notable Features
The stark contrast between the bright white coat of the central buffalo and the dark, moody atmosphere of the sky. The use of a teal/grey mat effectively complements the cool tones of the composition.
Condition Issues
Possible minor undulation of the paper support; light reflection on glass suggests it is not museum-grade anti-reflective glazing. No major tears or pigment losses visible.
Conservation Recommendations
Ensure the work is mounted using acid-free materials. If not already present, use UV-protective glass to prevent pigment fading, particularly in the dark blue/grey sky tones.
Collector Notes
W. T zivie