Portrait of Queen Mary I of England
Reproduction print (likely 20th-century photo-mechanical printing) on paper or board, housed in a decorative gilt wood or composite frame. • After Sir Anthonis Mor (Antonius Mor van Dashorst).
Style & Movement
Tudor / Northern Renaissance (original style).
Medium & Technique
Print based on the original oil on panel painting. The original by Anthonis Mor uses glazing and fine line work typical of the Northern Renaissance.
Creation Period
Late 20th century reproduction; original composition dates to 1554.
Dimensions & Format
Approximately 8x10 inches (small cabinet format), portrait orientation.
Subject Description
Queen Mary I shown three-quarter length, seated in a high-backed velvet chair. She wears a high-necked black gown with a lace ruff, a French hood, and a prominent pendant jewel on her chest. She holds a red Tudor rose in her hand, symbolizing the marriage with Philip II of Spain.
Condition & Value Assessment
Condition Assessment
Good. The image appears clear through the glass, though the frame shows some minor gesso loss and gold leaf wear on the lower edges.
Estimated Market Value
$20 - $75 (decorative value only).
Auction Estimate
$10 - $50 (thrift or local auction value).
Provenance History
Likely purchased as museum gift shop memorabilia or through a decor dealer. There are no visible historical stamps or labels on the front; reverse inspection is recommended.
Art Historical Significance
The original Mor portrait is one of the most famous images of Mary I, commissioned to celebrate her betrothal. It is a masterpiece of psychological portraiture, capturing the Queen's stern and pious character.
Notable Features
The frame is a 20th-century revival style featuring beaded trim and rococo-influenced scalloped edges.
Condition Issues
Visible glare on the glass surface; minor abrasions and chipping on the gold finish of the decorative frame; potential fading if exposed to UV light.
Conservation Recommendations
Keep away from direct sunlight to prevent UV fading of the printed colors. If the image is in direct contact with the glass, a mat should be added to prevent condensation damage.