Anne-Marie-Louise d'Orléans, Duchess of Montpensier, holding a portrait of her father, Gaston de France

Painting on canvasAttributed to the Studio of Pierre Mignard or Circle of Charles Beaubrun

Anne-Marie-Louise d'Orléans, Duchess of Montpensier, holding a portrait of her father, Gaston de France

Style & Movement

French Baroque / Classicism

Medium & Technique

Oil on canvas, employing academic techniques of the 17th century including glazing, fine sfumato in the rendering of the sitter's hair and skin, and rich impasto for the gold fleur-de-lis and metallic textures of the gown.

Creation Period

Circa 1665-1675

Dimensions & Format

Approximately 130 x 110 cm; Large-scale rectangular landscape-oriented composition

Subject Description

The portrait depicts Anne-Marie-Louise d'Orléans (La Grande Mademoiselle) in a three-quarter pose. She wears a lavish gown featuring a blue mantle embroidered with the French royal fleur-de-lis, signifying her status as a 'Petite-Fille de France'. In her hands, she prominently displays an oval miniature portrait of her father, Gaston d'Orléans. The background features a dramatic red curtain and a stormy atmospheric landscape, typical of courtly allegorical portraiture.

Condition & Value Assessment

Condition Assessment

Good; Overall stable but shows signs of aged varnish (slight yellowing) and typical craquelure pattern consistent with a 17th-century canvas.

Estimated Market Value

$40,000 - $70,000 USD

Auction Estimate

$30,000 - $50,000 USD

Provenance History

Likely originated from a royal or noble French collection; currently situated within a historic French interior (Château context suggested by the ornate gilded frame and wall paneling).

Art Historical Significance

Highly significant as a piece of Bourbon dynastic propaganda. La Grande Mademoiselle was one of the greatest heiresses in history and a key figure in the Fronde. The inclusion of her father's portrait reinforces her lineage and political legitimacy within the court of Louis XIV.

Notable Features

The presence of the 'Portrait within a Portrait' (metapainting) is a distinct Baroque device used here to emphasize filial piety and royal succession.

Condition Issues

Visible surface craquelure; slightly darkened varnish layer which obscures some of the depth in the landscape background; possible minor retouching around the edges where the canvas meets the frame.

Conservation Recommendations

Surface cleaning and selective varnish thinning by a professional conservator; maintain in a climate-controlled environment with UV-filtered lighting to prevent pigment fading.

Identified on 5/31/2026
Anne-Marie-Louise d'Orléans, Duchess of Montpensier, holding a portrait of her father, Gaston de France - Attributed to the Studio of Pierre Mignard or Circle of Charles Beaubrun | Art Identifier