Plowing the Fields Under a Spiral Sun
Painting on paper or board, likely framed with a mat • Signed lower right (partially obscured, appears to be 'Win Tun...' or similar); manner of the Futurist or Divisionist school (e.g., Gerardo Dottori or Giuseppe Pellizza da Volpedo style)
Style & Movement
Futurism and Divisionism; features elements of 'Aeropittura' in the cosmic, spiral depiction of the sun and agricultural heroism.
Medium & Technique
Pastel or wax crayon on paper/board; employs a Divisionist or Neo-Impressionist technique characterized by rhythmic, broken strokes and a radiant, geometric light composition.
Creation Period
Circa 1910–1930; late Modernist or Regionalist era
Dimensions & Format
Approximately 18 x 24 inches; landscape orientation
Subject Description
The scene depicts two figures and a horse-drawn plow working a field. The composition is dominated by a massive, stylized sun in a spiral or 'vortex' form, emitting geometric rays that cut through the landscape, symbolizing energy and the cycle of nature.
Condition & Value Assessment
Condition Assessment
Good; the colors appear vibrant, though there may be minor fading or paper oxidation commensurate with age.
Estimated Market Value
$1,500 – $3,500 USD (depending on verification of signature)
Auction Estimate
$1,000 – $2,500 USD
Provenance History
Unknown; likely a private collection. The traditional gilt frame and matting suggest a mid-20th-century residential display history.
Art Historical Significance
The work is an interesting example of early 20th-century experimentation with light and motion. It bridges the gap between traditional pastoral subjects and the radical geometric abstractions of the Futurists, focusing on the deification of labor and solar power.
Notable Features
The distinctive spiral sun and the 'lattice' effect of the light rays create a unique rhythmic energy; signature is located in the bottom right corner in a dark pigment.
Condition Issues
Possible surface dust; minor acid burn from non-archival matting; light foxing or yellowing of the paper margin may be hidden under the frame.
Conservation Recommendations
Re-frame using acid-free archival materials and UV-protective glass to prevent further pigment fading and paper degradation.