Woman in the Night

Original fine art print (etching with aquatint) on paperAttributed to Theo Tobiasse (Israeli/French, 1927–2012) or a similar contemporary artist working in the mid-century modern/surrealist graphic tradition. The signature on the left margin suggests a professional printmaker.

Woman in the Night

Style & Movement

Modernism / Post-War European Graphic Art with influences of Surrealism and Primitivism

Medium & Technique

Color etching and aquatint; features fine line work for contours and tonal wash effects produced via aquatint for the color fields (red, blue, cream).

Creation Period

Circa 1970s - 1980s

Dimensions & Format

Approximately 12 x 10 inches; Portrait orientation within a rectangular paper support.

Subject Description

A stylized, amphora-voiced female figure is depicted in a seated, meditative pose against a celestial or evening background. Elements include a crescent moon, a potted plant, and a large red orb which may represent the sun or Earth. The iconography explores femininity, cosmic connection, and peace.

Condition & Value Assessment

Condition Assessment

Good to Fair; visible signs of age-related wear including paper toning and possible light foxing.

Estimated Market Value

$400 - $800 USD

Auction Estimate

$300 - $500 USD

Provenance History

Acquired via auction. Visible annotations in pencil include the edition number (4/50), the title 'Woman in the Night' (in French or English script), and an artist's signature on the lower left margin.

Art Historical Significance

The work represents the proliferation of high-quality limited edition printmaking in Europe during the late 20th century. It reflects the influence of masters like Marc Chagall and Joan Miró in its use of poetic symbols and flattened, lyrical anatomy.

Notable Features

Hand-signed and numbered edition (4/50), indicating a very small, early run of the print which typically increases desirability for collectors compared to larger editions.

Condition Issues

The paper shows significant yellowing/acidification typical of non-archival mounting or long-term exposure to light. Possible softening of the paper edges and minor surface dirt.

Conservation Recommendations

Professional de-acidification treatment is recommended. The artwork should be remounted using acid-free, archival materials (hinged mounting) and UV-protective glass to prevent further fading of the pigments.

Collector Notes

Auction

Identified on 3/28/2026