Three Katsina Dancers Triptych (White Buffalo, Deer, and Buffalo Katsinam)
Framed print suite on paper (likely offset lithographs or limited edition serigraphs) • Robert L. Parker
Style & Movement
Native American fine art; specifically Contemporary Pueblo/Indigenous illustrative style.
Medium & Technique
Gouache or tempera on paper (original medium); reproduction prints with fine detail, likely employing smooth application and precise line-work characteristic of Pueblo painting traditions.
Creation Period
1973 (dated on each image)
Dimensions & Format
Approximately 24 x 36 inches including frame; three vertical panels arranged in a horizontal landscape orientation.
Subject Description
A triptych of Hopi or Puebloan Kachina (Katsina) dancers. The left panel shows the White Buffalo Dancer (moccasins with bells, rattles, and buffalo hide hood). The center depicts a Deer Dancer or Elk Dancer leaning on sticks (representing front legs) in front of a kiva entrance. The right panel features the Buffalo Dancer with black fur and horns. They represent messengers and spirits in traditional ceremonies and agricultural cycles.
Condition & Value Assessment
Condition Assessment
Very Good; the prints appear vibrant without significant fading. The frame and matting show minor wear consistent with age.
Estimated Market Value
$150 - $450 USD (based on the value of framed sets of Robert Parker prints)
Auction Estimate
$100 - $300 USD
Provenance History
Likely private collection; the triple-matting and wood frame suggest a professional gallery or collector acquisition from the 1970s or 80s.
Art Historical Significance
Robert L. Parker is a noted artist within the Western and Native American art market, recognized for his respectful and detailed depictions of Indigenous spiritual life. His work contributed to the popularization of Indigenous iconography in the mid-to-late 20th century.
Notable Features
Clearly dated '73' on each panel; signed in the plate on each corner. Triple-matted presentation with a distinctive geometric 'v-groove' or color-blocked mat design.
Condition Issues
Slight potential for acid migration from the original mounting materials (matting). Minor abrasions on the faux-grain wooden frame. Surface glass shows dust and grease.
Conservation Recommendations
Check for acid-free matting to prevent future yellowing. Use UV-protective glass if displayed in a sunny area. Avoid high-humidity environments.
Collector Notes
Robert l Parker