Sloth (from the Seven Deadly Sins series)
Print, etching on paper • Paul B. Bray (signed 'Paul B. Bray' in pencil)
Style & Movement
Contemporary Surrealism / Fantastic Realism; influenced by the grotesque and satirical traditions of Bruegel and Bosch.
Medium & Technique
Etching and possibly aquatint on paper; characterized by fine line work, cross-hatching, and stippling to create volume and texture.
Creation Period
Late 20th Century (circa 1970-1990)
Dimensions & Format
Estimated plate size 6x4 inches (15x10 cm) on a larger rectangular sheet; vertical portrait format.
Subject Description
An allegorical representation of the sin of Sloth. Two voluminous, reclining nude figures with floral crowns embrace in a state of lethargy. They are positioned beneath a hill-like structure topped with an hourglass being manipulated by small demons. A creature cooks a pig over a rotisserie at the bottom right, while another figure sleeps at the bottom left, reinforcing themes of indolence and physical decadence.
Condition & Value Assessment
Condition Assessment
Good/Very Good; the print shows clear plate marks and crisp ink lines. There is visible toning/yellowing at the edges of the paper and minor foxing/spotting in the upper right margin.
Estimated Market Value
$150 - $350 USD
Auction Estimate
$100 - $250 USD
Provenance History
Likely part of a limited edition folio. Hand-numbered 140/150 and signed by the artist in the lower margin. Ownership history likely involves private collection or small gallery sales.
Art Historical Significance
A modern reinterpretation of the medieval 'Seven Deadly Sins' motif. The work demonstrates technical proficiency in traditional printmaking and contributes to the long iconographic history of depicting human vice through the grotesque.
Notable Features
Includes the artist's signature, hand-written title 'Sloth', and edition numbering '140/150' in graphite. The plate mark is deeply impressed, indicating high pressure during the printing process.
Condition Issues
Paper yellowing along the top edge, light staining/foxing in the upper right corner, and minor acid burn from previous framing potentially present.
Conservation Recommendations
Should be matted using acid-free, archival materials and framed under UV-protective glazing. Professional cleaning by a paper conservator could remove the foxing spots.