Banks of the Seine at Carteret (Bords de la Seine à Carteret)
Painting on canvas • Paul Signac
Style & Movement
Neo-Impressionism / Pointillism
Medium & Technique
Oil on canvas utilizing the Pointillist (divisionist) technique involving systematic application of small, distinct dots of color that blend optically.
Creation Period
Circa 1888-1890
Dimensions & Format
Approximately 46 x 55 cm; Landscape format.
Subject Description
A tranquil landscape depicting the Seine river at sunset or sunrise. The composition is balanced by clusters of dark trees on the left and center, with their silhouettes reflected in the still water. The sky and river are unified by a chromatic haze of yellows, oranges, and purples, reflecting Signac's interest in the science of optics and color theory.
Condition & Value Assessment
Condition Assessment
Very Good. The image appears to be a digital reproduction on a monitor, but the original work is well-preserved with characteristic delicate impasto in the dots.
Estimated Market Value
$2,000,000 - $4,000,000 USD
Auction Estimate
$1,500,000 - $3,000,000 USD
Provenance History
Formerly in several private European collections; typical of works originally handled by Bernheim-Jeune or similar galleries specializing in Neo-Impressionism.
Art Historical Significance
Signac was the chief theorist of Neo-Impressionism following Seurat's death. This work is a premier example of his transition from strictly scientific dots to the slightly larger, more mosaic-like brushstrokes of his mature period. It represents a pivotal moment in the development of modern art theory regarding color autonomy.
Notable Features
The use of complementary color contrasts (blue/orange) to create luminous vibrancy; the distinct separation of marks which was a radical departure from traditional blending.
Condition Issues
Potential for minor craquelure consistent with age and the drying of oil-rich dots; surface dust if not glazed.
Conservation Recommendations
Maintain in a climate-controlled environment (50% RH); protect from UV light to prevent fading of fugitive lake pigments; framing with museum-grade anti-reflective glass is advised.