Southwestern Petroglyph Composition
Mixed media wall art on stone shards • Ginny Hogan

Style & Movement
Contemporary Southwestern / Native American Inspired Folk Art
Medium & Technique
Hand-painted acrylic or ceramic pigments on flagstone or slate shards, featuring stenciling or freehand painting to mimic ancient rock art techniques.
Creation Period
Late 20th to early 21st Century (c. 1990-2010)
Dimensions & Format
Approximately 12 x 12 inches (framed); square shadowbox format.
Subject Description
The composition features two irregular stone shards depicting icons inspired by Ancestral Puebloan petroglyphs, including a Kokopelli-like flute player or shaman figure with a sun-motif shield, a sacred corn plant (tree of life), and a concentric spiral representing migration or a sun symbol. Small decorative beads or stones are affixed at the base of the shards.
Condition & Value Assessment
Condition Assessment
Good/Very Good; the artwork appears intact within its original framing though minor dust accumulation is present beneath the glass.
Estimated Market Value
$50 - $150 USD
Auction Estimate
$40 - $100 USD
Provenance History
Likely acquired via a gallery specializing in Southwestern art or a regional craft exposition; originally produced by Ginny Hogan, an artist known for rock art-inspired decor.
Art Historical Significance
Represents the popularization of Indigenous iconography in late 20th-century decorative arts. It reflects a movement where contemporary artists reinterpret ancient symbols (rock art) into modern interior design objects.
Notable Features
Distinctive use of natural cleavage stone as a substrate to simulate the appearance of a fragmented canyon wall; signature use of vibrant desert-toned washes (purple, blue, and terracotta) behind the white icons.
Condition Issues
Visible irregular edges are intentional character of the stone; however, there is potential for adhesive failure over time on the mounted shards or beads.
Conservation Recommendations
Maintain in a low-humidity environment to preserve the adhesive; avoid direct sunlight to prevent fading of the multicolored stone background; recommend archival framing if the current backing is acidic.
Collector Notes
Ginny Hogan original